August 27th, 2012

Jaschi Klein

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Obtane & Giorgio Gigli ‎– Hypothesis Of Objects Construction On Natural Environments (Hidden Archive Remixes)

 

M_REC LTD PODCAST 13 – OBTANE

 

 

August 25th, 2012

milicakolaric

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Prostitutes – Psychedelic Black ( Stabudown )

2012-08-24 – Max Cooper -Live- (Traum Schallplatten) @ Transitions Radio Show, Proton Radio

Gui Boratto @ Highway Podcast 80 (23.07.12)

 

 

August 24th, 2012

Ralph Gibson

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Barry Adamson + Pan Sonic – The Hymn Of The 7th Illusion

 

 

August 19th, 2012

Léon Spilliaert

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Arturo Benedetti Michelangeli Plays Debussy (Deutsche Grammophon)

Carl Craig & Moritz von Oswald ‎– ReComposed (Deutsche Grammophon)

 

 

August 18th, 2012

Todd Hido

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ECM 2170_71  Ketil Bjørnstad – Vinding’s Music – Songs From The Alder Thicket

Samuel Barber – Adagio for strings

Samuel Barber – Adagio for strings, Norwegian Radio Orchestra, Christian Eggen (conductor)

 

August 17th, 2012

Barbara Kasten,  Incidence (2009-10)

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Lebanon Hanover – The World Is Getting Colder

“Lebanon Hanover is a duo constructed between Berlin and England in July 2010. Very influenced by the early 80s they decided to disapprove with the high-pitched overproduced music that peaks in your ears. After some of their tracks have been featured on compilations like „Darkness before Dawn“ “ The Almighty Wire“ „Monosynth“ and „Death Disco“ they have released their first 12“ vinyl on Fabrika Records (Greece) in February 2012.” via

 

The KVB – Always Then

 

 

August 14th, 2012

Film Stills – Patience (After Sebald), Director: Grant Gee

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Blue Daisy x Unknown Shapes – Bedtime Stories EP

Tommy Four Seven ‘Monad XIII’ [SAM013]

Bas Mooy – The Room At The End EP

 

 

August 13th, 2012

Kenneth Josephson, Polapans, 1973
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Michael Nyman – Decay Music (1976)

Decay Music is the 1976 debut album by Michael Nyman, released on Brian Eno‘s Obscure Records music label. The two works on the album, 1-100 (composed 1 December 1975) and Bell Set No. 1 (1974) are both built around the musical concept of decay. Both of these experiment with percussive, long decay musical forms. 1-100 is played at half the speed it was recorded. It was written for Peter Greenaway‘s film of the same title, but rejected because it was too long. It was inspired by Frederic Rzewski‘s Les Moutons de Panurge, which Nyman often played with the Scratch Orchestra. via

 

 

August 2nd, 2012

Franz Erhard Walther, Connection(head)1967

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KILLEKILL PODCAST #06: TIN MAN & CASSEGRAIN

RA.322 The Sight Below

Ancient Methods – 203 – Electronic Explorations

 

Diamond Version (Alva Noto & Byetone) – Empowering Change

 

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